| Pavane from Suite Francaise. For Clarinet and Piano [N-2g] | |
| Pavane from Suite Francaise. For Flute and Piano [N-2e] | |
| Pavane from Suite Francaise. For Oboe and Piano [N-2f] | |
| Pavane from Suite Francaise. For Trumpet and Piano [N-2h] | |
| Pavane from Suite Francaise. For Viola and Piano [N-2d] | |
| Pavane from Suite Francaise. For Violin and Piano [N-2c] | |
| An excellent short lyrical work for concert or contest use. | |
| Rondo in E flat by J. N. Hummel. Concert Arrangement for Clarinet and Piano [N-4] | |
| A brilliant concert work for both instruments in the tradition of the Weber Grand Duo Concertant. | |
| Sonata for Unaccompanied Trumpet, Opus 4 [N-1] | |
| As if Haydn had written an unaccompanied two movement trumpet sonata. The two movements may also be played independently. Contains two optional piano accompaniments of intermediate difficulty level for use with B flat or C trumpet. | |
| Suite Francaise, Opus 5 for Cello and Piano [N-2a] | |
| A unique short four movement chamber work in which both parts are at an upper intermediate level. Sounds harder than it is and makes a very successful concert number. | |
| Suite Francaise, Opus 5a for Bassoon and Piano [N-2b] | |
| Arranged for bassoon and piano. | |
| Tarantella, Opus 6 by Camille Saint-Saens. Arranged for Clarinet, Bassoon and Piano [N-3] | |
| Originally for Flute, Clarinet and Piano (Orchestra), this infectious work is a great new addition to the literature for this instrumental combination. | |